Dying Well and Loved: At the Moment of Death and Mourning
In the first section, we examine the narratives surrounding the good death and the etiquette that such death-spaces required. We begin with two readings that mark the preoccupation with death as an equalizing force, one that is able to rectify social division (contrary to the first chapter), while also normalizing the common mourning practice surrounding the passing of one who experienced a good death. From there we move on to etiquette guides detailing both a secular and religious approach to regulating and respecting the mourning arts. Finally, we end the first section with physical mementos of death, post-mortem photographs. Here the dead and living are juxtaposed together in still frames, showcasing the Victorian desire to capture the life of the dead through mourning their passing.
In the second section we focus directly on the death of Prince Albert and Victoria’s rather prolonged mourning period. Here we see two periodical accounts of his death: one from a Royal informer, and another from London's populace that was constantly viewing Victoria's public mourning. Finally, we end with a utopian description of funeral rites that seem to respond to the spectacle of a royal’s death. Here a body is committed to the fire, a brief celebration occurs, and then the mourning ceases to affect the population.
For reading: You can either click any of the sub-sections presented on this page, or start with "Good and Proper Death" and follow the prescribed path to the end of this chapter.