African American Poetry (1870-1928): A Digital AnthologyMain MenuFull Text Collection: Books Published by African American Poets, 1870-1927Author Pages: Bios and Full Text CollectionsAreas of Interest: Topics and ThemesThe Beginnings of the Harlem Renaissance: Overview and Timeline of Key EventsBlack Poetry Before the Harlem Renaissance: Overview and TimelineAfrican American Periodical Poetry (1900-1928)A collection of African Amerian Periodical Poetry, mostly focused on 1900-1928African American Poetry: Anthologies of the 1920sExploring Datasets related to African American poetryAbout This Site: Mission Statement, Contributors, and Recent UpdatesFurther Reading / Works CitedAmardeep Singhc185e79df2fca428277052b90841c4aba30044e1
Mae V Cowdery Photograph 1928
1media/Mae Virginia Cowdery Photograph 1928 from Wikipedia_thumb.png2024-03-13T12:27:00-04:00Amardeep Singhc185e79df2fca428277052b90841c4aba30044e12131Mae V Cowdery Photograph 1928 from Wikipediaplain2024-03-13T12:27:00-04:00Amardeep Singhc185e79df2fca428277052b90841c4aba30044e1
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12024-03-13T11:47:34-04:00Mae V. Cowdery (Mae Cowdery): Author Page5Mae V. Cowdery Author Bio and a Collection of Her Poemsplain2024-03-13T14:53:15-04:00From Wikipedia:
"Cowdery was born in 1909 in Philadelphia, Pennsylvania. She was the only child of upwardly mobile parents; her mother was a social worker and an assistant director of the Bureau for Colored Children (later the Bureau for Child Care); her father Lemuel Cowdery was a caterer and United States postal worker.[3] Cowdery discovered her talent for poetry as a child. She graduated from the prestigious Philadelphia High School for Girls and attended Pratt Institute in New York to study fashion design but did not graduate.[4] While attending Pratt Institute in Brooklyn, she frequented night places in Greenwich Village.[3]
While still in high school, Cowdery published three poems in 1927 in Black Opals, a new literary journal founded that year.[3] It was co-founded in 1927 by Arthur Fauset, a folklorist and teacher, and Nellie Rathbone Bright, a teacher and poet who later published four novels. They were part of a literary and intellectual group in Philadelphia who also became known as the Black Opals.
Cowdery's poem in the first issue, as well as one of Bright's, were among pieces to win praise by Countee Cullen, the new literary editor of Opportunity, a larger journal based in Harlem, New York. Groups such as the Black Opals were being founded in other East Coast cities, such as Washington, DC and Boston.[5] The group did not succeed in building a large enough audience for the journal, and published it only into 1928.[2][6]
Cowdery won first prize in a 1927 poetry contest from The Crisis for her poem "Longings;" another poem won the Krigwa Prize.[7] During the late 1920s, she established her reputation by publishing in journals, magazines and anthologies. She did not publish her own collection of poetry until her book We Lift Our Voices: And Other Poems (1936), and was one of the few African-American women poets in the first half of the 20th century to publish a book of her work. "It was critically well received.
12022-01-19T09:41:34-05:00Queer and Homoerotic Poetry4African American Poetry Exploring Queer and Homoerotic Themesplain2024-05-15T12:06:15-04:00Here we are collecting writings by Black writers that explicitly thematize same sex desire, queer desire, or LGBTQIA identities.
Writers like Countee Cullen, Richard Bruce Nugent, and Alain Locke have been described by biographers as gay; several of their peers might today be understood as queer or bisexual (i.e., Langston Hughes and Claude McKay). The writer Angelina Weld Grimke is thought to have had a relationship with a woman as a teenager; not much is known about her personal life as an adult. Other writers who are thought to have had queer relationships at various points in their lives are Alice Dunbar-Nelson and Mae V. Cowdery.
By and large, we have thus far been largely only tagging poems where there is a clear queer or homoerotic element in the text itself; we have not, generally, been tagging all poems by Countee Cullen or Angelina W. Grimke as "queer." Over the summer of 2024, we will continue to review this and perhaps expand the range of poems that fall under this tag.
There is an excellent overview of "The Harlem Renaissance in Black Queer History" here.