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• 1 2026-06-17T14:04:49+00:00 South Asian Women Writers 24 Profiles of South Asian Women Writers, such as Sarojini Naidu, Cornelia Sorabji, Pandita Ramabai plain 2026-07-24T12:44:35+00:00 This collection features a number of writings by South Asian women in British colonial India.
  
  First, one might note that in comparison to Western women writing about India, there are fewer authors on this list than there ought to be! Gender biases within South Asian families often led to young women remaining uneducated, meaning that most Indian women during the British colonial era were illiterate. Even those who did receive educations often struggled for full professional parity with their male peers (Many of these barriers were also of course in place in England as well: Cornelia Sorabji had to wait 25 years after studying Law at Oxford to receive her formal degree as a Barrister.) 
  
  One interesting pattern with the list of Indian women whose works we have been collecting is that many of them grew up in families of Christian converts, or converted themselves. This is true for Cornelia Sorabji (her father was born a Parsi but converted), Pandita Ramabai (who converted as a young adult), and Krupabai Sattianadhan. 
  
  A second pattern to note might be that two of the women whose works are collected here died quite young of tuberculosis: Krupabai Sattianadhan and Toru Dutt both fell victim to the disease; one can only speculate what they might have gone on to write had they lived longer.
  
  Finally, it's striking that several of the women whose works are included here were not simply interested in careers as "writers"; they were active reformers who built important institutions, some of which persist to this day (Rokeya Hossein founded a school for girls; Pandita Ramabai founded a school for child widows, Shardi Sadan; Cornelia Sorabji was a tireless reformer and advocate for women; Sarojini Naidu became quite active in the nationalist movement and joined the Indian National Congress; beginning in 1941, she spent 21 months in prison for her participation in the Quit India movement). 
  
  Some of these names may be familiar to readers. Cornelia Sorabji, for example, achieved considerable success and was highly visible in her time, as the first Indian woman to be granted a law degree, and because of her extensive social and reform oriented work on behalf of Indian women. (Among other things, she frequently represented Purdahnashins -- women who were 'behind Purdah' [women living in segregation, who did not generally appear in public] -- in questions of property and civil law.) Sorabji wrote many books, though most were nonfiction.
  • Her first book, a collection of short stories called Love and Life Behind the Purdah (1901) is in our collection, as are detailed summaries of the stories. 
  • In 1908, Sorabji published a book called Between the Twilights. This is essentially an ethnographic account of women in Hinduism. It features profiles of some important Hindu deities (Saraswati, Durga, Kali) with an emphasis on rituals and practices associated with them. Many of the anecdotes have a personal touch: Sorabji describes her own visit to a Kali temple, a conversation with a grandmother, etc.  Sorabji also addresses topics like the plight of Hindu widows, the confusion and sense of displacement felt by "western returned" women, and the deep and powerful role played by caste in Indian life. In the final chapter, she gives some examples of difficult cases she had encountered representing "secluded" women in property and inheritance cases in rural India. A detailed summary of the book can be found here.
  • We also have a version of her 1918 book Sun Babies: Studies in Colour here (first published as Sun-Babies: Studies in the Child-Life of India in 1904). There is also a detailed summary of the book here.
  • We also have an edition of her 1934 memoir, India Calling, where she describes her hybrid upbringing -- with her family's Parsi heritage but Christian identity and her legal career, with many colorful accounts of representing poor women in legal cases in Princely states. She also expresses her ambivalence about the Indian nationalist movement; in contrast to Sarojini Naidu (described below), Sorabji never joined the Indian National Congress. While she was initially supportive of the nationalist movement, by the late 1920s, she had rejected the movement and instead embraced the continuation of British rule in India. The full text of the memoir is here, and a detailed summary of it is here.
  
  Sarojini Naidu was also quite prominent in her time, though in recent years her work has received less attention from scholars than it likely deserves. Her first book of lyric poetry, The Golden Threshold, was published in London in 1905 -- before Tagore's Gitanjali -- and contained a portrait of the author by W.B. Yeats. Another book of poetry, The Bird of Time (1912), shows greater maturity and engagement with modern, urban life in India. It also contains a few poems with an emerging nationalist sensibility. The embrace of socially engaged poetry comes into full flower with Naidu's third book, The Broken Wing (1917). That latter collection contained a poem honoring Indian soldiers who fought for the British in World War I, as well as a poem dedicated to Mohammed Ali Jinnah ("Awake!"), which Naidu recited at the meeting of the Indian National Congress in 1915. There is also a poem dedicated to M.K. Gandhi (not yet "Mahatma"). After 1917, with her increasingly direct involvement in the activities of the Indian National Congress, Naidu published less poetry, though she came to play a key role in the protest and organizing activities of the Indian nationalist movement.
  
  More recently, Rokeya Sakhawat Hossain's Sultana's Dream -- a feminist utopia -- has been rediscovered, becoming a celebrated and widely read text, often assigned as an early instance of a feminist utopia. (The conceit of Sultana's Dream is a reverse Purdah -- where men are forced to live in a segregated part of the household [the 'Mardana']. Hossain also explores and challenges many misogynist stereotypes and tropes (I.e., men have bigger brains so they must be more intelligent). Hossain also wrote a good number of other works of literature, most of them in Bengali. Some, like Padmarag, have been translated into English and are now receiving attention and interest from scholars. 
  
  Pandita Ramabai is a well-known feminist reformer, and relevant to this collection, though she only wrote nonfiction. After many of her family members died during the Madras famine of 1876-78, she and her brother found their way to Calcutta. There she was noticed by scholars and drawn into contact with Christian missionaries. The missionaries arranged for her to be sent to England, where she formally converted to Christianity. After a brief stay in England, Ramabai toured the United States extensively before returning to Maharashtra to start a school and social support network of widowed women. Several of her texts are included in our collection. Also see our detailed author profile of Pandita Ramabai here.
  
  And readers may also be familiar with Toru Dutt, a poet who was largely raised in England and France. She published quite a bit in a life cut short by tuberculosis. We have Ancient Ballads and Legends of Hindustan in our collection. 
  
  However, there are some other writers whose works will be featured here who may be less familiar. One such is Krupabai Satthianadhan, who grew up as a Christian in southern India after parents had converted. Though initially she was not formally enrolled in school, she benefited from the support of a brother who supervised her education. Her novel Saguna, A Story of Native Christian Life is thought to be essentially an autobiography; see a detailed summary of it here.
• 1 2026-07-17T12:28:52+00:00 Rokeya Sakhawat Hossain (1880-1932): Author Profile 2 Author Profile of Rokeya Sakhawat Hossain, also known as Begum Rokeya plain 2026-07-24T12:27:22+00:00 This Author profile was written by Sana Asifriyaz, July 2026.
  
  Biography
  
  Rokeya Sakhawat Hossain (1880-1932), also known as Begum Rokeya, was a Bengali feminist writer and activist. Hossain was born in British India to an aristocratic Persian and Bengali Muslim family. At sixteen years of age, she married Khan Bahadur Sakhawat Hossain, a 38-year-old deputy magistrate. He held progressive ideals as he encouraged Hossain to pursue her literary and linguistic education. 
  
  Hossain was a staunch advocate for women and girls’ education and was particularly invested in supporting Muslim women’s advancement. In 1911, she founded a school in Kolkata for Muslim girls, Sakhawat Memorial Girls’ High School. In 1916, Hossain established the Muslim Women’s Association, which championed not only women’s education but also their professional development through conferences, debates, and social reform organizations.
  
  Publications
  
  Hossain penned various forms of texts, ranging from satirical essays to novels and short stories. She was published in several renowned journals and newspapers, including Saogat, The Mussalman, and Bangiya Musalman Sahitya Patrika. Hossain is well-known for her satirical feminist utopian short story “Sultana’s Dream” (1908) in which gender roles are reversed: women enjoy the status of being more privileged than men and roam the public sphere freely, whereas men are cloistered in “mardanas,” a play on “zenanas” (secluded spaces for women). “Sultana’s Dream” also imagines innovative scientific technologies, such as balloon-held pipes that control precipitation and solar energy used for cooking. Hossain’s Delicia Hatya (1922) is a Bengali translation and retelling of Marie Corelli's English-language novel The Murder of Delicia (1896).
  
  Ben Baer translates some of Hossain’s Bengali texts and, with Smaran Dayal, edits and introduces them in the collection Spider-Mother: The Fiction and Politics of Rokeya Sakhawat Hossain (2024). In Trans-imperial Feminism in England and India: Catherine Dickens, Marie Corelli, and Rokeya Sakhawat Hossain (2024), Kellie Holzer writes extensively about how Hossain’s work contributes to the form of the emerging Bengali novel by centering the Indian New Woman in her feminist writing.
  
  Contents 
  
  Padmarag (1924)
  “Sultana’s Dream” (1908)
  Abarodhbasini ("The Secluded Women") (1931)
  Matichur 1st Vol. (Essays) (1904)
  Matichur 2nd Vol. (Essays) (1922)
  Delicia Hatya (1922)