Poems Published in "Opportunity: A Journal of Negro Life," 1923-1926
Opportunity was most influential in African American literary circles for its literary contests, which ran between 1924-1927, and helped to strengthen the reputations of important writers like Langston Hughes, Zora Neale Hurston, Sterling Brown, Arna Bontemps, and Countee Cullen. The contests were also accompanied by award dinners, which were often quite glamorous, and featured many writers, publishers, and patrons.
In 1928, Charles Johnson was appointed as President of Fisk University, a Historically Black university. At that time, the editorship shifted, as did the priorities of the journal. After 1928, the magazine was more narrowly focused on sociology and race, and the literary emphasis diminished.
This page has paths:
- African American Poetry: A Story Of Magazines Amardeep Singh
- Welcome: African American Poetry--a Digital Anthology Amardeep Singh
Contents of this tag:
- Langston Hughes, "The Weary Blues" (1925)
- Langston Hughes, "To Midnight Nan at Leroy's" (1926)
- Langston Hughes, "Our Land: Poem for a Decorative Panel " (1923)
- Langston Hughes, "The White Ones" (1924)
- Angelina W. Grimke, "Little Grey Dreams" (1924)
- Gwendolyn B. Bennett, "To Usward" (1924)
- Angelina W. Grimke, "I Weep" (1924)
- Angelina W. Grimke, "Dusk" (1924)
- Countee Cullen, "Brown Boy to Brown Girl (Remembrance on a hill) (For Yolanda)" (1924)
- Countee Cullen, "A Song of Praise (For one who praised his lady's being fair)" (1924)
- Arna Bontemps, "Here Is the Sea" (1926)
- Countee Cullen, "From Life to Love" (1925)
- Helene Johnson, "Night" (1926)
- Helene Johnson, "Magalu" (1926)
- Arna Bontemps, "Homing" (1926)
- Gwendolyn B. Bennett, "Purgation" (1925)
- Helene Johnson, "Trees at Night" (1925)
- Helene Johnson, "Futility" (1926)
- Arna Bontemps, "The Day-Breakers" (1926)
- Langston Hughes, "Troubled Women" (1925)
- Angelina W. Grimke, "The Black Finger" (1923)
- Arna Bontemps, "The Shattering" (March 1926)
- William H.A. Moore, "Sonnet" (1925)
- Gwendolyn B. Bennett, "Wind" (1924)
- Gwendolyn B. Bennett, "Heritage" (1923)
- Lucy Ariel Williams, "Northboun'" (1926)
- Angelina W. Grimke, "Death"
- Gwendolyn B. Bennett, "Lines Written at the Grave of Alexandre Dumas" (1926)
- Langston Hughes, "America" (1925)
- Eloise Bibb Thompson, "After Reading Bryant's Lines to a Waterfowl" (1924)
- Langston Hughes, "Liars" (1925)
- Wallace Thurman, "God's Edict" (1926)
- Langston Hughes, "Love Song for Lucinda" (1926)
- Lewis Alexander, "Africa" (1924)
- Leslie Pinckney Hill, "Voyaging" (1923)
- Esther Popel, "Theft" (1925)
- Joseph S. Cotter, "The Tragedy of Pete" (1926)
- Langston Hughes, "Teacher" (1926)
- Gwendolyn B. Bennett, "Street Lamps in Early Spring" (1926)
- Herschell Bek, "Moonlight" (1925)
- Countee Cullen, "I Have a Rendezvous With Life" (1924)
- Countee Cullen, "Confession" (1926)
- Paul Laurence Dunbar, "The Right to Die" (1899)
- Gwendolyn B. Bennett, "Hatred" (1926)
- Frank Horne, "To a Persistent Phantom" (1926)
- Arna Bontemps, "God Give to Men" (1925)
- Esther Popel, "Kinship"
- Helene Johnson, "Fulfillment" (1926)
- Helene Johnson, "Ah My Race" (1925)
- Georgia Douglas Johnson, "Lethe" (1926)
- Arna Bontemps, "Golgotha Is a Mountain" (1926)
- Esther Popel, "Credo" (1925)
- Helene Johnson, "Metamorphism" (1926)
- Helene Johnson, "The Road" (1926)