Poems Published in "Opportunity: A Journal of Negro Life," 1923-1926
Opportunity was most influential in African American literary circles for its literary contests, which ran between 1924-1927, and helped to strengthen the reputations of important writers like Langston Hughes, Zora Neale Hurston, Sterling Brown, Arna Bontemps, and Countee Cullen. The contests were also accompanied by award dinners, which were often quite glamorous, and featured many writers, publishers, and patrons.
In 1928, Charles Johnson was appointed as President of Fisk University, a Historically Black university. At that time, the editorship shifted, as did the priorities of the journal. After 1928, the magazine was more narrowly focused on sociology and race, and the literary emphasis diminished.
Contents of this tag:
- Langston Hughes, "Our Land: Poem for a Decorative Panel " (1923)
- Langston Hughes, "The Weary Blues" (1925)
- Langston Hughes, "To Midnight Nan at Leroy's" (1926)
- Langston Hughes, "The White Ones" (1924)
- Countee Cullen, "Brown Boy to Brown Girl (Remembrance on a hill) (For Yolanda)" (1924)
- Countee Cullen, "A Song of Praise (For one who praised his lady's being fair)" (1924)
- Gwendolyn B. Bennett, "To Usward" (1924)
- Angelina W. Grimke, "Little Grey Dreams" (1924)
- Angelina W. Grimke, "I Weep" (1924)
- Angelina W. Grimke, "Dusk" (1924)
- Helene Johnson, "Night" (1926)
- Wallace Thurman, "God's Edict" (1926)
- Eloise Bibb Thompson, "After Reading Bryant's Lines to a Waterfowl" (1924)
- Esther Popel, "Theft" (1925)
- Arna Bontemps, "Homing" (1926)
- Helene Johnson, "Trees at Night" (1925)
- Joseph S. Cotter, "The Tragedy of Pete" (1926)
- Lewis Alexander, "Africa" (1924)
- Herschell Bek, "Moonlight" (1925)
- Arna Bontemps, "The Day-Breakers" (1926)
- Angelina W. Grimke, "The Black Finger" (1923)
- Countee Cullen, "Confession" (1926)
- Paul Laurence Dunbar, "The Right to Die" (1899)
- Arna Bontemps, "The Shattering" (March 1926)
- Gwendolyn B. Bennett, "Wind" (1924)
- Frank Horne, "To a Persistent Phantom" (1926)
- Esther Popel, "Kinship"
- Helene Johnson, "Ah My Race" (1925)
- Lucy Ariel Williams, "Northboun'" (1926)
- Georgia Douglas Johnson, "Lethe" (1926)
- Esther Popel, "Credo" (1925)
- Langston Hughes, "America" (1925)
- Helene Johnson, "The Road" (1926)
- James Edward McCall, "The New Negro" (1927)
- Countee Cullen, "From Life to Love" (1925)
- Langston Hughes, "Love Song for Lucinda" (1926)
- Helene Johnson, "Magalu" (1926)
- Leslie Pinckney Hill, "Voyaging" (1923)
- Countee Cullen, "I Have a Rendezvous With Life" (1924)
- Angelina Weld Grimke, "For the Candle Light" (1925)
- Gwendolyn B. Bennett, "Purgation" (1925)
- Langston Hughes, "Teacher" (1926)
- Helene Johnson, "Futility" (1926)
- Gwendolyn B. Bennett, "Street Lamps in Early Spring" (1926)
- Richard Bruce (Bruce Nugent), "Shadow" (1925)
- Langston Hughes, "Troubled Women" (1925)
- Gwendolyn B. Bennett, "Hatred" (1926)
- William H.A. Moore, "Sonnet" (1925)
- Arna Bontemps, "God Give to Men" (1925)
- Gwendolyn B. Bennett, "Heritage" (1923)
- Helene Johnson, "Fulfillment" (1926)
- Angelina W. Grimke, "Death"
- Arna Bontemps, "Golgotha Is a Mountain" (1926)
- Gwendolyn B. Bennett, "Lines Written at the Grave of Alexandre Dumas" (1926)
- Helene Johnson, "Metamorphism" (1926)
- Langston Hughes, "Liars" (1925)
- Arna Bontemps, "Here Is the Sea" (1926)