Poems in "The Crisis," 1910-1928
Introduction: The Crisis was a monthly magazine published by the NAACP, which began publication in 1910. Throughout its early years (1910-1934), the magazine was edited by W.E.B. Du Bois, who exerted a strong editorial influence over the magazine's contents. The magazine published poetry, fiction, and even drama throughout its run alongside conventional journalistic articles and opinion. By 1919, The Crisis had a large national subscription base, with as many as 100,000 subscribers (according to David Levering Lewis, the subscription basis was larger than The New Republic's). The literature published in the magazine -- including poetry, fiction and drama -- was widely read, and critics have noted that the magazine had an important impact on the literary culture of the Harlem Renaissance that emerged in the early 1920s. Between 1919 and 1926, Jessie Redmon Fauset served as Literary Editor for The Crisis. During that period of time, many young writers who would later be mainstays of the Harlem Renaissance began publishing poetry and criticism in the pages of the magazine, including Langston Hughes, Countee Cullen, Anne Spencer, as well as Fauset herself. In addition to poetry, the newspaper frequently published criticism and reviews of books of poetry by Black poets. The most influential of these might be William Stanley Braithwaite's 1919 essay, "The Negro in American Literature" (a revised version of that essay was later reprinted in Alain Locke's The New Negro: an Interpretation).
Between 1910 and 1926, the magazine published more than 250 poems by a wide range of authors. Below, you'll find a fairly complete collection of poems by African American authors who published in the magazine. (It's admittedly a large collection, and in the months to come we hope to find ways to organize it to make it more accessible...)
One of the most important figures to have emerged from the pages of The Crisis was Langston Hughes, whose first published poem oriented for adult audiences, "The Negro Speaks of Rivers" (1921) became a signature poem both in the poet's career and for African American poetry more generally. Hughes published more than 25 poems in The Crisis between 1921-1926 (he also published a number of poems for children in The Brownies' Book, also edited by Du Bois and Fauset, in 1921).
Intriguingly, many of the writers who published poems most frequently in The Crisis during this period are not the most famous figures of the Harlem Renaissance. Georgia Douglas Johnson, for instance, established her voice as a poet in the 1910s, and published more than 30 poems in the magazine during these years. Other poets who published often in The Crisis include James D. Corrothers, Lucian B. Watkins, Carrie Williams Clifford, and W.E.B. Du Bois himself (Du Bois published eight poems in The Crisis in the 1910s.)
A Few Highlights: The poems in this collection are quite heterogeneous. Some poetry published in The Crisis was relatively anodyne love poetry and occasional poetry oriented to various seasons, sometimes with a religious theme (i.e., poems for Easter, Christmas, and the seasons). The magazine also published quite a number of tribute poems for important figures in the Black tradition, including Frederick Douglass and Paul Laurence Dunbar.
Notably, Du Bois and Fauset published quite a number of poems linked to the African American civil right struggle, and many of these poems will continue to have power over readers. A few this editor might recommend exploring include: Langston Hughes, "The Negro," Roscoe Jamison, "Negro Soldiers" , Lucian B. Watkins, "Song of the American Dove", Georgia Douglas Johnson, "A Sonnet: to the Mantled", James Weldon Johnson's "To America", and Countee Cullen's "Threnody for a Brown Girl.".
Sources: Many of the poems collected on this page were discovered via the digital repostiory of The Crisis at Modernist Journals Project. Others (mainly poems published after 1922) have been sourced from digital versions of The Crisis found on sites like Archive.org and HathiTrust.
Acknowledgments: This page has benefited from the efforts of Kate Hennessey and Christian Farrior, both Lehigh Graduate Research Assistants Christian Farrior assisted in retyping and formatting poems from page image format in the summer of 2022. Kate Hennessey assisted in editing and formatting poems from page image scans in the spring of 2024.
- Alice Dunbar-Nelson, "Sonnet" (1919)
- Alston Burleigh, "The Brave Son" (1919)
- Allison Davis, "To Those Dead And Gone" (1927)
- Allison Davis, "Physician" (1) (1928)
- Allison Davis, "Physician" (2) (1928)
- Allison Davis, "Minister" (1) (1928)
- Allison Davis, "Minister" (2) (1928)
- Allison Davis, "Lawyer" (1928)
- Allison Davis, "College Girl" (1928)
- Allison Davis, "Northern - College Girl" (1928)
- Allison Davis, "College Athlete" (1928)
- Allison Davis, "Gospel for Those Who Must" (1928)
- Amedee Brun, "The Pool" (translated by Jessie Fauset, 1921)
- Angelina W. Grimke, "To Keep The Memory of Charlotte Forten Grimke" (1915)
- Angelina W. Grimke, "To the Dunbar High School (A Sonnet)" (1917)
- Anita Scott Coleman, "The Colorist" (1925)
- Anne Spencer, "Dunbar" (1922)
- Anne Spencer, "White Things" (1923)
- Aqua Laluah (Gladys May Casely-Hayford), "Poem" (1927)
- Arna Bontemps, "Dirge" (1926)
- Arna Bontemps, "Holiday" (1926)
- Arna Bontemps, "Hope" (1924)
- Arna Bontemps, "Nocturne at Bethesda" (1926)
- Arna Bontemps, "Spring Music" (1925)
- Arna Bontemps, "Near the Cedar Tree" (1927)
- Arna Bontemps, "Tree" (1927)
- Arna Bontemps, "Angela" (1927)
- Sterling Brown, "After the Storm" (1927)
- Arthur Tunnell, "On Segregation" (1914)
- B. Harrison Peyton, "Lo, the Dusk-Born Daughter!" (1916)
- B.B. Church, "Africa" (1924)
- B.B. Church, "In This Hour" (1919)
- B.B. Church, "Maybe" (1923)
- Beatrice M. Murphy, "The Parting" (1928)
- Benjamin Griffith Brawley, "Shakespeare" (1915)
- Bertha Johnston, "I Met A Little Blue-Eyed Girl" (1912)
- Bessie Brent Madison, "Down at the Feet of the Years" (1925)
- Bessie Brent Madison, "For Ethiopia" (1921)
- Blanche Taylor Dickinson, "That Hill" (1927)
- Blanche Taylor Dickinson, "To One Who Thinks of Suicide" (1928)
- Carrie Williams Clifford, "Spring" (1915)
- Carrie Williams Clifford, "The New Year" (1920)
- Carrie Williams Clifford (Carrie Clifford), "Sorrow Songs" (1927)
- Charles Bertram Johnson, "An Old Ex-Slave" (1921)
- Charles Bertram Johnson, "Easter" (1923)
- Charles Bertram Johnson, "Mocking Bird" (1923)
- Charles Bertram Johnson, "Old Friends" (1921)
- Charles Bertram Johnson, "Old Things" (1923)
- Charles Bertram Johnson, "Race Dreams" (1920)
- Charles Bertram Johnson, "Rain-Mist" (1920)
- Charles Bertram Johnson, "Rain-Mist" (1921)
- Charles Bertram Johnson, "Snow" (1920)
- Charles Bertram Johnson, "True Wealth" (1924)
- Charles Farwell Edson, "The Wasters" (1927)
- Clara Burrill Bruce, "We Who Are Dark" (1918)
- Clara G. Stillman, "Dark Dream" (1923)
- Clara G. Stillman, "Mysterious Land" (1924)
- Claude McKay, "A Daughter of the American Revolution to Her Son" (1926)
- Claude McKay, "The Void" (1924)
- Claude McKay, "In the Hospital" (1927)
- Claude McKay, "The International Spirit" (1928)
- Colonel Charles Young, "A Negro-Mother's Cradle Song" (1923)
- Cora J. Ball Moten, "A Lullaby" (1914)
- Countee Cullen, "Bread and Wine" (1923)
- Countee Cullen, "Dad" (1922)
- Countee Cullen, "Icarian Wings" (1921/1924)
- Countee Cullen, "If Love be Staunch" (1925)
- Countee Cullen, "Lament" (1925)
- Countee Cullen, "Mary, Mother of Christ" (1924)
- Countee Cullen, "Night Rain" (1925)
- Countee Cullen, "Road Song" (1923)
- Countee Cullen, "Sweethearts" (1923)
- Countee Cullen, "Thoughts in a Zoo" (1926)
- Countee Cullen, "Three Hundred Years Ago" (1925)
- Countee Cullen, "Threnody for a Brown Girl" (1925)
- Countee Cullen, "Sonnet to Her" (1927)
- Countee Cullen, "To John Haynes holmes" (1927)
- F. Marshall Davis, "Portrait of an Old Woman" (1927)
- E. Lucien Waithe, "To a Brown Child" (1925)
- Eda Lou Walton, "Tragedy" (1927)
- Eda Lou Walton, "At Dawn" (1927)
- Edward Silvera, "Happiness" and "Death" (1926)
- Edward Silvera, "Disappointment" (1927)
- Edward Silvera, "Song to a Dark Girl" (1927)
- Edward Silvera, "Introspection" (1928)
- Edward Silvera, "Harlem" (1928)
- Edwin Garnett Riley, "A Nation's Greatness" (1920)
- Edwin J. Morgan, "Rhapsody" (1917)
- Effie Lee Newsome, "Cantabile" (1925)
- Effie Lee Newsome, "Mattinata" (1927)
- Effie Lee Newsome (Marry Effie Lee), "O Autumn, Autumn!" (1918)
- Effie Lee Newsome (Mary Effie Lee), "Morning Light" (1918)
- Effie Lee Newsome (Mary Effie Lee), "Sunset" (1921)
- Effie Lee Newsome, "Negro Street Serenade (In the South)" (1926)
- Effie Lee Newsome, "Sun Disk" (1923)
- Effie Lee Newsome, "The Bronze Legacy (To a Brown Boy)" (1922)
- Effie Lee Newsome, "At the Pool" (1927)
- Effie Lee Newsome, "The Bird in the Cage" (1927)Effie Lee Newsome, "A Black Boy Dreams" (1927) Elsie Taylor Du Trieuille, "The New Negro" (1928)
- Esther A. Yates “Fettered Liberty” (1915)
- Ethel Caution Davis, "A Man" (1916)
- Ethel Caution Davis (Ethel M. Caution), "To..." (1927)
- Fenton Johnson, "War Profiles" (1918)
- Fenton Johnson, "Sweet Love O' Dusk" (1927)
- Fenton Johnson, "The Mother o' Dusk and Her Babe" (1928)
- Frank Horne, "My Words" (1926)
- Frank Horne, "Letters Found Near a Suicide" (1925) (Spingarn Prize)
- Frank Horne, "He Knows Life" (1927)
- Frank Horne, "Harlem" (1928)
- George Reginald Margetson, "The Surge of Life" (1925)
- George Leonard Allen, "Twilight Fancy" (1927)
- Georgia Douglas Johnson, "A Sonnet in Memory of John Brown" (1922
- Georgia Douglas Johnson, "A Sonnet: to the Mantled" (1917)
- Georgia Douglas Johnson, "Afterglow" (1920)
- Georgia Douglas Johnson, "Again it is the Vibrant May" (1918)
- Georgia Douglas Johnson, "Armageddon" (1925)
- Georgia Douglas Johnson, "Attar" (1920)
- Georgia Douglas Johnson, "Calling Dreams" (1920)
- Georgia Douglas Johnson, "Companion" (1925)
- Georgia Douglas Johnson, "Courier" (1926)
- Georgia Douglas Johnson, "Decay" (1926)
- Georgia Douglas Johnson, "Desert-Bound" (1918)
- Georgia Douglas Johnson, "Escape" (1925)
- Georgia Douglas Johnson, "Essence" (1916)
- Georgia Douglas Johnson, "Fame" (1916)
- Georgia Douglas Johnson, "Finality" (1926)
- Georgia Douglas Johnson, "Gossamer" (1916)
- Georgia Douglas Johnson, "Guardianship" (1917)
- Georgia Douglas Johnson, "Heritage" (1917)
- Georgia Douglas Johnson, "Hope" (1917)
- Georgia Douglas Johnson, "Let Me Not Lose My Dream" (1917)
- Georgia Douglas Johnson, "Mate" (1916)
- Georgia Douglas Johnson, "Motherhood" (1922)
- Georgia Douglas Johnson, "My Boy" (1917)
- Georgia Douglas Johnson, "My Little One" (1916)
- Georgia Douglas Johnson, "My Son" (1924)
- Georgia Douglas Johnson, "Peace" (1916)
- Georgia Douglas Johnson, "Prejudice" (1919)
- Georgia Douglas Johnson, "Shall I Say 'My Son, You Are Branded'?" (1919)
- Georgia Douglas Johnson, "Soul's Easter" (1925)
- Georgia Douglas Johnson, "Tears and Kisses" (1917)
- Georgia Douglas Johnson, "The Final Strain" (1917)
- Georgia Douglas Johnson, "The Mother" (1917)
- Georgia Douglas Johnson, "To Your Eyes" (1924)
- Georgia Douglas Johnson, "The True American" (1927)
- Georgia Douglas Johnson, "Wishes" (1927)
- Georgia Douglas Johnson, "The Snarl" (1927)
- Georgia Douglas Johnson, "And Yet --" (1928)
- Georgia Douglas Johnson, "Hope" (1928)
- Georgia Douglas Johnson, "Fulfillment" (1928)
- Georgia Douglas Johnson, "Fee" (1928)
- Gwendolyn B. Bennett, "Quatrain" (1923)
- Harriette Shadow Butcher, "The Memory of Colonel Charles Denton Young" (1925)
- Henry Lee Moon, "The Gods of the Persecuted" (1928)
- Ida B. Luckie, "Retribution" (1916)
- James A. Atkins, "The First Wireless Message" (1925)
- James D. Corrothers, "A Song of May and June" (1914)
- James D. Corrothers, "At the Closed Gate of Justice" (1913)
- James D. Corrothers, "In the Matter of Two Men" (1915)
- James D. Corrothers, "Listen, O Isles!" (1914)
- James D. Corrothers, "The Road to the Bow" (1913)
- James D. Corrothers, "Up! Sing the Song" (1913)
- J.E. McCall, "When Sampson Sings" (1928)
- James Weldon Johnson, "Brothers" (1916)
- James Weldon Johnson, "Father, Father Abraham" (1913)
- James Weldon Johnson, "The White Witch" (1915)
- James Weldon Johnson, "To America" (1917)
- Jasper Ross, "King Cotton and the Negro" (1914)
- Jessie Fauset, "Again It is September" (1917)
- Jessie Fauset, "Here's April" (1924)
- Jessie Fauset, "Here's April" (1924)
- Jessie Fauset, "Oriflamme" (1920)
- Jessie Fauset, "Rain Fugue" (1924)
- Jessie Fauset, "Rencontre" (1924)
- Jessie Fauset, "Rondeau" (1912)
- Jessie Redmon Fauset, "Rondeau" (1912)
- Jessie Fauset, "Stars in Alabama" (1928)
- Jessie Fauset, "The Sun of Brittany" (1927)
- John Wesley Work (J.W. Work), "It's Great To Be A Problem" (1920)
- Joseph S. Cotter, Jr., "A Sonnet to the Negro Soldiers" (1918)
- Joseph S. Cotter, "The Prophet" (1920)
- Joseph S. Cotter, "To Bishop Hood" (1919)
- Joseph S. Cotter, "Whatever Road" (1920)
- Josephine T. Washington, "Cedar Hill Saved" (1919)
- Katherine Gillard, "Just a Little Tired" (1916)
- Kelsey Percival Kitchel, "Slave's Song" (1916)
- L. Mattes, "To the Negro" (1925)
- L.A. Proctor, "My Little Love Salome" (1911)
- Langston Hughes, "A Song to a Negro Wash-woman" (1925)
- Langston Hughes, "Aunt Sue's Stories" (1921)
- Langston Hughes, "Brothers" (1924)
- Langston Hughes, "Cabaret" (1923)
- Langston Hughes, "Cross" (1925)
- Langston Hughes, "Disillusion" (1925)
- Langston Hughes, "Fascination" (1924)
- Langston Hughes, "Jazzonia" (1923)
- Langston Hughes, "Joy" (1926)
- Langston Hughes, "Lullaby" (1926)
- Langston Hughes, "Minstrel Man" (1925)
- Langston Hughes, "Monotony" (1923)
- Langston Hughes, "Mother to Son" (1922)
- Langston Hughes, "My Beloved" (1924)
- Langston Hughes, "Negro Dancers" (1925)
- Langston Hughes, "Poem" ("I am waiting for my mother...") (1924)
- Langston Hughes, "Poem (To F.S.)" (1925)
- Langston Hughes, "Prayer Meeting" (1923)
- Langston Hughes, "Proem" ["The Negro"] (1922)
- Langston Hughes, "Ruby Brown" (1926)
- Langston Hughes, "Shadows" (1923)
- Langston Hughes, "Song for a Banjo Dance" (1922)
- Langston Hughes, "Song for a Suicide" (1924)
- Langston Hughes, "Summer Night" (1925)
- Langston Hughes, "The Last Feast of Belshazzar" (1923)
- Langston Hughes, "The Negro Speaks of Rivers" (1921)
- Langston Hughes, "The Poppy Flower" (1925)
- Langston Hughes, "The Ring" (1926)
- Langston Hughes, "To Beauty" (1926)
- Langston Hughes, "To the Black Beloved" (1925)
- Langston Hughes, "Winter Moon" (1923)
- Langston Hughes, "Young Bride" (1925)
- Langston Hughes, "Young Singer" (1923)
- Langston Hughes, "Tapestry" (1927)
- Langston Hughes, "Ma Lord" (1927)
- Langston Hughes, "The Childhoold of Jimmy" (1927)
- Langston Hughes, "Being Old" (1927)
- Langston Hughes, "Freedom Seeker" (1927)
- Langston Hughes, "Montmartre Beggar Woman" (1927)
- Leslie Pinckney Hill, "Armageddon" (1915)
- Leslie Pinckney Hill, "Certainty" (1914)
- Leslie Pinckney Hill, "Father Love" (1919)
- Leslie Pinckney Hill, "In the Still Night" (1917)
- Leslie Pinckney Hill, "The Teacher" (1911)
- Leslie Pinckney Hill, "Vision of a Lyncher" (1912)
- Leslie Pinckney Hill, "God's Garden" (1927)
- Lewis Alexander, "A Tree (to M.V.C.) (1928)
- Lewis Alexander, "Quest" (1928)
- Lillian B. Witten, "Youth Passes" (1920)
- Lottie Burrill Dixon, "A Rainy Day" (1916)
- Lucian B. Watkins, "Ballade to Paul Laurence Dunbar" (1918)
- Lucian B. Watkins, "Paul Laurence Dunbar--Poet" (1917)
- Lucian B. Watkins “Song of the American Dove” (1916)
- Lucian B. Watkins, "Star of Ethiopia" (1918)
- Lucian B. Watkins, "The Black Madonna And Her Babe" (1918)
- Lucian B. Watkins, "Two Poems: War and Peace" (1919)
- Lucian Watkins, "Frederick Douglass-Orator" (1917)
- Lucian Watkins, "Greatness" (1916)
- Lucian Watkins, "Samuel Coleridge Taylor--Musician" (1917)
- Lucian Watkins, "Two Points of View" (1916)
- Mae V. Cowdery, "Longings" (1927)
- Mae V. Cowdery, "Lamps" (1927)
- Marjorie Marhsall, "Three Sketches From Nature" (1927)
- Mary J. Washington, "Peace on Earth" (1919)
- Mary Washington (Mary J. Washington), "Jubilee Singers" (1928)
- Otto Bohanan, "Go, Give the World" (1919)
- Otto Bohanan, "God Gave Us Song" (1918)
- Otto Bohanan, "Mammy" (1917)
- Otto Bohanan, "The Dawn's Awake!" (1917)
- Otto Bohanan, "Paean" (1915)
- Otto Bohanan, "The Washer-Woman" (1916)
- Paul Laurence Dunbar, "Black Samson of Brandywine"
- Profiles of William Stanley Braithwaite in "The Crisis": "Resurrection" (1911)
- Roasalie M. Jonas, "Crowded Out" (1924)
- Robert W. Justice, "The Heart's Desire" (1911)
- Walter Everett Hawkins, "Child of the Night" (1924)
- Walter Everette Hawkins, "Ethiopian Maid" (1917)
- Walter Everette Hawkins, "I am Africa" (1928)
- Waverly T. Carmichael, "'Taint No Need O' Women Worrin' "(1918)
- W.E.B. Du Bois, "Easter-Emancipation 1863-1913 (1913)
- W.E.B. Du Bois, "In God's Gardens" (1912)
- W.E.B. Du Bois, "Joseph Pulitzer" (1911)
- W.E.B. Du Bois, "Song of the Smoke" (1907)
- W.E.B. Du Bois, "Unrest" (1920)
- Will N. Johnson, "The Call" (1916)
- William H.A. Moore “Here in the Time of the Winter Morn” (1912)
- William H.A. Moore, "That One Might Live in the Sunlight Glad" (1913)
- William Pickens, "'The Crisis'" (1914)
- William Stanley Braithwaite, "Laughing it Out" (1915)
- William Stanley Braithwaite, "Scintilla" (1915)
- William Stanley Braithwaite, "The Vision" (1911)
- Willis Richardson, "The After Thought" (1923)
- Edward Silvera, "Color" (1927)
- Yetta Kay Stoddard, "For a Rose" (1922)